I am a multidisciplinary artist working at the intersection of art, craft, and design. My practice focuses on the Israeli - Palestinian conflict, occupation, and the social and bodily realities shaped by war. I work across installation, performance, public interventions, wearable objects, drawing, text, video, and sound, selecting media according to the site, context, and urgency of the work.

Much of my practice takes place outside institutional spaces, in protests and everyday public environments. I often approach these situations as a form of situated research, placing objects or actions in public space in order to activate response, observe interaction, and expose political and social tensions. In many works, the audience is not a passive observer but becomes an active participant: wearing, rearranging, handling, or responding to an object or situation, and in doing so becomes an integral part of the work itself.

The objects I create are not products but mechanisms: they are worn, handled, altered, disrupted, and reshaped through human action. The body plays a central role in my work, as a site of intimacy, vulnerability, protest, and collective presence. Rather than offering solutions, my practice seeks to open spaces for reflection, friction, and dialogue, addressing political realities through material, scale, and participation.

My background includes many years of professional practice in jewelry and goldsmithing, which informs my material knowledge, attention to detail, and approach to making, while functioning as a tool within a broader artistic practice.